From inset note: “White Fungus is a biannual print publication of experimental arts from throughout the Asia / Pacific region. Featuring articles on art and new music, poetry, literature, comics and political satire, each issue of White Fungus is teeming with interdisciplinary content. Produced in Wellington, the publication is international in its focus and contains regular contributions from Germany, Australia, the US, China, Taiwan and Singapore.
Contents: Taranaki Wool: Chew Chong and the Birth of the New Zealand Dairy Industry by Jane Jenesly – Three Ideas for the State by Tao Wells – New Work by Richard Killeen – From the Banks of the River Danube: a Conversation with Annea Lockwood – Reason and Squallor: Contemporary ‘Music’ and the Non-career of the Dead C by Steve Snatch – Malcontent: The Sounds and Sights of Greg Malcolm by Amy Howden Chapman – Manuel Gottsching- An Intuitive Move by Tobias Fischer – Some Drawings by Yao Jui-Chung – Wetness by Gu Xie – No New Nostalgia. John Wiese’s Soft Punk by Harold Grieves – Blood on the Cracks by Andrew Clifford – Some New Work by Hye Rim Lee – Cultural Boredom Gives Me Time to Think by Tao Wells – Black Magic and the Index of Knowledge, the End of Art and of Art History by Rudolph Hudsucker – Excerts from Shanghai Sheba by Sheba Williams – Noah- A Comic by Tim Bollinger – The Velvet Paintings of Leslie Rice by Serena Bentley – Some Poems by Iain Britton – Some Poems by Anne Cammon – Apocolypse No! Part Three: The Law of Life and the Law of Death by Juan Santos – Star Signs with Mot.