"Stephane Mallarme (1842-98) was a French Symbolist poet, theorist, and teacher whose ideas and legendary salons set the stage for twentieth-century experimentation in poetry, music, theater, and art. A canonical figure in the legacy of modernism, Mallarme was also a lifelong champion of the book as both a literary endeavor and a carefully crafted material object. In The Book as Instrument, Anna Sigridur Arnar explores how this object functioned for Mallarme and his artistic circle, arguing that the book became a strategic site for encouraging a modern public to actively partake in the creative act, an idea that informed later twentieth-century developments such as conceptual and performance art."-book jacket
Defining the book --
Reading Mallarmé --
The heroic legacy of the book --
Forging the livre de peintre --
From illustration to original print --
The livre de peintre and independent publishing --
Reading and designing the book --
Paradigms of reading --
Designing the livre moderne in the international context: un coup de dés, art nouveau, and nascent mass media --
Transformations of the book --
Design and mathematical patterns in le livre --
The afterlife of the book.