Examines the implementation of the category of the artist’s book (including the book object) based on the works of some of the main researchers and on the analysis of the works of some Brazilian and international artists.
Originally presented as the author’s master's thesis at the Universidade Federal do Rio Grande do Sul.
Includes bibliographical references (p. 292-311), a glossary (p. 312-314), and an index (p. 315-319). Signed by the Author.