• The Incomplete Thombu / Thamotharampillai Shanaathanan
The Incomplete Thombu / Thamotharampillai Shanaathanan
The Incomplete Thombu / Thamotharampillai Shanaathanan
The Incomplete Thombu / Thamotharampillai Shanaathanan
The Incomplete Thombu / Thamotharampillai Shanaathanan
The Incomplete Thombu / Thamotharampillai Shanaathanan

The Incomplete Thombu / Thamotharampillai Shanaathanan

Books


FA.OSS4.1919
8.25 x 11.75 in; 21 x 30 cm
2011
Raking Leaves
Nia Murphy
Raking Leaves
Offset printed and glue bound work. Softcover with a pale pink wrapper. 320 pages. Commissioned and published by Raking Leaves.

"The Incomplete Thombu poses as a bureaucratic document file. Thombu was a term used by the Dutch to describe a public land registry, derived from the Greek tomos, from which the Latin word tome, or large book originates. The Incomplete Thombu covers the subject of Tamil displacement during the civil conflict in Sri Lanka between 1983 and 2009. Though numerous documents of statistical data have recorded the displacement of civilians from the north and east of Sri Lanka, few have highlighted the personal plights of those involved. This project records the stories that removed civilians from their homes and the memories that they took with them. T. Shanaathanan examines the subject of displacement through a series of drawings that overlay ground plans of houses drawn from memory by displaced Tamil-speaking civilians, with architectʼs renderings and dry pastel drawings. The attempt to register one document on top of the other, maps out further displacements between what is remembered, what has been taken away and the stories left behind in a conflict that has torn apart its land and its people for over thirty years." - from publisher

From Raking Leaves: “An unexpected yet poignant artist’s book, commenting on the tragic civil war in Sri Lanka from 1983-2009. A ‘thombu’ is a Dutch term for a public land registry. This beautifully designed project records the displacement of Tamil people in an achingly personal way: each entry is a simple floor plan, drawn from memory by a displaced Tamil-speaking citizen. A vellum overlay with an architect’s crisp drawing makes the lost home “real” in yet another way. Drawings are accompanied by the name of the person who lost their home, their profession, and a brief interview, telling the story of the upheaval and the memories they took with them. The maps vividly reveal what was lost in a conflict that lasted more than 30 years. A moving example of how art and politics can intersect.”