"Through a series of photographic works identified as a “Photochemical Book”, Catalina De La Cruz explores the desert of Chile and Peru as spaces with imposed limitations, in which natural and manmade structures struggle to survive. Through chromatic, graphic, architectural, spatial, and referential inquiries on the landscapes, the artist books–which have been produced using 19th century photochemical printing–are used to interrogate the visual, material, and conceptual narratives within the photographs, to create new visual contemporary poetics.
“'I have developed my work from the photographic, specializing in chemical photography from the 19th century, digital photography, its displacement to large-scale videographic support and creating the photochemical book format as sequential work. From these different devices, I explore the discursivity of photography as an image of the real working in an expanded field, addressing issues about the territory and its intervention – occupation. The notion of immersiveness in the work has been the axis, through the scale and the story.'” -- description from the Center for Book Arts