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Martha's Quarterly, Issue 1, Fall 2016 / Tammy Nguyen
Accordion books
FA.B50.2099
4.25 x 5.25 in; 10.8 x 13.4 cm
2016
"This first issue is a visual presentation of the text The Wild Pigeon of North America by Chief Pokagon, which appeared in The Chautaquan in November 1895, Volume 22, Number 20. Chief Pokagon, or Simon Pokagon, was nicknamed by the press as the 'Redskin poet, bard, and Longfellow of his race.' He was a full-blooded Native American and a member of the Pokagon Band of Potawatomi Indians that once dwelled in the Great Plains of North America. An activist, writer, and poet, Chief Pokagon fought for the fair treatment of Native American people. In this article, Chief Pokagon describes his awe for what we know as the passenger pigeon. Additionally, he accounts the way that white Americans were killing the species by the masses. He compares this to the way that his own people were killing the bird while also ensuring the species' sustainability.
"Today, the passenger pigeons are extinct and the Potawatomi people were displaced from their lands during the American removal period between 1830-1840. Considering this, it seemed fitting for the inaugural issue of Martha's Quarterly to present this text as a way to allude to the precarious issues within today's environment and how we care for people who are different from us.
"Passenger Pigeon Press takes its name after the passenger pigeon because of the species' rich identity within its environment and our human culture. This bird's tale is also a history of exploitation and displacement by humans which ultimately lead to its own demise. Martha's Quarterly is named after Martha, the last passenger pigeon who died in 1914 at the Cincinnati Zoo." -- Tammy Nguyen
"Martha's Quarterly, Issue 1, Fall 2016, uses the text 'The Wild Pigeon of North America' by Chief Pokagon, which appeared in 'The Chautaquan' in November 18195, Volume 22, Number 20. The particular version used was found as part of an anthology of texts called 'The Passenger Pigeon' by W.B. Mershon. The text and ink drawings were digitally printed on IP Springhill Opaque Gray 70 lb. paper and Stables Light Yellow 24 lb. paper. The cover is letterpress printed on Mohawk VIA Vellum Safety Yellow, 80 lb. paper. The fonts used include Bodoni 72 Oldstyle 10 pt., 9 pt., and 8 pt., Alfa Slab One 18 pt., and Hemmet 36 pt. and 24 pt. The drawings, design, printing, and accordion construction was completed by Tammy Nguyen. This edition was of 150 hand-bound books." -- colophon
